1. lomerz:

    Who got the cutest fruitiest nails in all the land

     

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  5. whitegirlsaintshit:

    h0odrich:

    christel-thoughts:

    thebloominuniverse:

    This is the back of james’ head. He hasn’t washed or brushed his hair in months, and all of it was pretty much dreaded. We just picked all of it our except this big one underneath that was too far gone! White peoples’ hair does dread naturally my friends :)

    how many times do we have to say this… LOC’D BLACK PEOPLE WASH AND TEND TO THEIR HAIR REGULARLY. THERE IS NOTHING “NATURAL” ABOUT WHAT YOU’RE DOING. IT IS GROSS. IT IS UNKEMPT. IT IS EVERYTHING BLACKS WITH NATURAL HAIR ARE ACCUSED OF BEING WHEN WE ACTUALLY ARE NOT THAT. HOW DO YOU NOT GET THAT ACCUSING US OF BEING DIRTY, BY ASSERTING THIS IS THE SAME THING AS BLACKS WITH LOC’D HAIR, IS SOME WHITE SUPREMACIST FUCKSHIT?

    it looks like the back of his head is taking a shit tbh

    how much you wanna bet his genitals smell like roadkill and teenaged milk?
     

  6. theworldisawarfilm:

    Good morning.

     

  7. colorsoundoblivion:

    THROBBING GRISTLE LIVE BERLIN SO36 NOVEMBER 1980

    All pictures by Richard Gleim.

    (Source: facebook.com, via theworldisawarfilm)

     

  8. (Source: lawebloca, via vul-va)

     

  9. (Source: illmaterial, via vul-va)

     

  10. mimiwao:

    Frida’s last public appearance, on July 2, 1954, at a rally protesting C.I.A. involvement in Guatemala.  Diego is behind her.  Juan O’Gorman to her right.

    What is interesting, is that the Frida Kahlo venerated by American feminists is a very different Frida Kahlo to the one people learn about in Mexico, in the Chicano community. In her country, she is recognized as an important artist and a key figure in revolutionary politics of early 20th century Mexico. Her communist affiliations are made very clear. Her relationship with Trotsky is underscored. All her political activities with Diego Rivera are constantly emphasized. The connection between her art and her politics is always made. When Chicana artists became interested in Frida Kahlo in the ‘70s and started organizing homages, they made the connection between her artistic project and theirs because they too were searching for an aesthetic compliment to a political view that was radical and emancipatory. But when the Euro-American feminists latch onto Frida Kahlo in the early ‘80s and when the American mainstream caught on to her, she was transformed into a figure of suffering. I am very critical of that form of appropriation.

    —Coco Fusco on her Amerindians piece from 1992 with Guillermo Gómez-Peña

    (via vul-va)

     

  11. cascada de texolo

    xico, veracruz, mexico

    (Source: elinternacionalista, via fileformat)

     


  12. stay-human:

    If actual holocaust survivors can acknowledge Israel is fucked up straight out there is literally 0 excuse for removed Jewish American teenagers to be all “my emotional attachment to Israel makes things complicated”. It’s a fucking genocidal state, there is nothing “complicated” about supporting ethnic supremacy and genocide, you’re a piece of shit is what it is.

    (via 19980217)

     

  13. Mostar, Bosnia and Herzegovina

    (Source: iuvencula, via fakjumather)

     

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  15. (Source: sandiego1978, via visitor-q)